Yes, you are a cunt, but I Love you, 2025

A fierce, high-contrast abstract painting that turns raw gesture into something magnetic and unexpectedly alive.

Built from bold black masses, quick linear marks, and scattered bursts of color, the composition unfolds through tension between weight and velocity. White ground remains active rather than passive, opening space around the darker gestures and making each stroke feel more decisive. The mixed technique surface rewards sustained looking: dense areas read against thinner passages, while drips, splashes, and directional sweeps create a rhythm that feels improvised but visually held together.

Where It Fits

This work is especially suited to spaces that benefit from creative charge rather than quiet neutrality. In a studio, library, or design-led workspace, its assertive movement can sharpen the atmosphere and give the room a more authored identity. Its compact portrait format helps it deliver strong presence without needing a large wall, making it effective where focused visual energy matters more than decorative softness.

Color and Presence

The palette is driven by stark black and white, but its real presence comes from how those extremes are interrupted by vivid orange-red and blue. Those accents do not soften the image; they activate it, pushing the whole surface into a more electric register. As a result, the painting reads as dramatic and contemporary, with enough contrast to stand out clearly in restrained interiors while still holding its own among bolder surroundings.