Original Tertiary Color, Abstract Wall Art Collection
transform any space with captivating tertiary color palette, abstract styled paintings. shop our collection to find the perfect piece to create a serene and soothing ambiance.
- When and where
Daniel WilleAustriaMixed Technique50 X 90cm | 19.69 X 35.43in£ 2,026 € 2,321 ＄2,737 Relevance
Score: 68%Matches: 2/2Abstract Style
Large areas are dominated by non-literal texture, scraped marks, and painterly fields that outweigh clear depiction.
Tertiary Color
The palette relies heavily on mixed in-between hues such as blue-grey, teal-grey, ochre-brown, and muted flesh tones.
- Landscape
Mordechai CohenIsraelAcrylic on Canvas42 X 62cm | 16.54 X 24.41in£ 977 € 1,120 ＄1,320 Relevance
Score: 68%Matches: 2/2Tertiary Color
The palette is built from mixed intermediate hues such as ochre, olive-green, mauve-brown, and muted earth blends.
Abstract Style
Large color fields and loose non-descriptive brushwork dominate much of the image, reducing literal depiction.
- Fragment with deer
Lehel KovacsHungaryAcrylic on Canvas80 X 100cm | 31.5 X 39.37in£ 7,141 € 8,184 ＄9,650 Relevance
Score: 68%Matches: 2/2Abstract Style
Large areas of the composition are driven by layered non-literal marks, color fields, and scraped textures over depiction.
Tertiary Color
Olive, muddied blue-greens, brownish neutrals, and mixed intermediate hues are structurally important.
- Melody 2
Oksana VeberCzech RepublicOil on Paper35 X 100cm | 13.78 X 39.37in£ 222 € 255 ＄300 Relevance
Score: 68%Matches: 2/2Abstract Style
Large non-literal painted passages, gestural marks, and compositional emphasis on texture and form strongly support abstraction.
Tertiary Color
Many hues are mixed and in-between, including ochres, dusty pinks, greys, and muted brownish intermediates.
- Still Life
Moshe GivatiIsraelOil on Canvas90 X 116cm | 35.43 X 45.67in£ 7,282 € 8,345 ＄9,840 Relevance
Score: 68%Matches: 2/2Abstract Style
A large monochrome field, soft painterly surface, and reduced object definition make formal color and atmosphere more important than depiction.
Tertiary Color
The hues lean toward mixed yellow-green, olive, and muted orange rather than pure primaries.
- Sussurri tra i rami
Antonino PuliaficoItalyOil on Canvas180 X 240cm | 70.87 X 94.49in£ 5,249 € 6,015 ＄7,092 Relevance
Score: 68%Matches: 2/2Abstract Style
Gestural marks, color fields, and painterly movement dominate over clear literal depiction.
Tertiary Color
The palette includes many mixed in-between hues—teal, olive, mauve, dusty pink, and muddied warm notes.
- Mother Earth
Manuela EibensteinerAustriaOil on Canvas50 X 70cm | 19.69 X 27.56in£ 1,873 € 2,146 ＄2,530 Relevance
Score: 68%Matches: 2/2Abstract Style
Large areas are driven by color fields, drips, gestural marks, and loose non-literal forms that compete strongly with depiction.
Tertiary Color
Much of the palette consists of mixed yellow-green, olive, and earthy in-between hues rather than pure primaries.
- Interior View 3
Orly ShalemIsraelAcrylic on Canvas120 X 70cm | 47.24 X 27.56in£ 2,368 € 2,714 ＄3,200 Relevance
Score: 68%Matches: 2/2Abstract Style
Loose fields of color, gestural marks, and non-literal spatial treatment dominate over clear depiction.
Tertiary Color
Many colors are mixed intermediate hues such as teal, olive, ochre, and greyed blue-green.
- Rivers of Paradise
Orna Rachel WeinerIsraelAcrylic on Canvas100 X 100cm | 39.37 X 39.37in£ 2,487 € 2,850 ＄3,360 Relevance
Score: 67%Matches: 2/2Abstract Style
Abstraction is prominent through dissolved forms, layered marks, and a composition driven by color, gesture, and structure over literal depiction.
Tertiary Color
Many hues are mixed and intermediate, including yellow-greens, blue-greens, muted violets, and earthy blends.
- Forget Me Not
Federico Pinto SchmidItalyOil on Canvas50 X 50cm | 19.69 X 19.69in£ 3,053 € 3,498 ＄4,125 Relevance
Score: 67%Matches: 2/2Abstract Style
Non-naturalistic shapes, layered color blocks, and compositional structure are more prominent than realistic depiction.
Tertiary Color
The palette includes many mixed intermediate hues such as teal, olive, mauve, and muted orange-browns.
- Light Within
Helen ZuskinaUkraineAcrylic on Canvas85 X 100cm | 33.46 X 39.37in£ 2,487 € 2,850 ＄3,360 Relevance
Score: 67%Matches: 2/2Abstract Style
The image is driven by color fields, loose marks, and atmospheric surface treatment more than by clearly defined literal depiction.
Tertiary Color
Many hues are mixed intermediate tones such as dusty mauve, ochre, olive, and blue-green tints rather than pure primaries.
- Golden paradise
Brigitte DravetFranceAcrylic and Gold Leaf on Canvas100 X 80cm | 39.37 X 31.5in£ 6,253 € 7,166 ＄8,450 Relevance
Score: 67%Matches: 2/2Abstract Style
The image is dominated by tonal fields, texture, and atmospheric surface rather than clear literal depiction.
Tertiary Color
The palette relies on mixed intermediate hues such as ochre, umber, and muted gold-brown.
- Jerusalem
Hagit ArgamanIsraelOil on Canvas50 X 60cm | 19.69 X 23.62in£ 1,998 € 2,290 ＄2,700 Relevance
Score: 67%Matches: 2/2Abstract Style
Large areas of textured color, layered marks, and non-literal composition dominate over clear depiction.
Tertiary Color
Olive, ochre, dusty aqua, and mixed intermediate hues are structurally important throughout the painting.
- Bright Midday
Eduard BielskiyCzech RepublicOil on Canvas120 X 60cm | 47.24 X 23.62in£ 2,444 € 2,801 ＄3,302 Relevance
Score: 67%Matches: 2/2Abstract Style
Drips, layered marks, and non-naturalistic composition strongly emphasize paint, gesture, and surface over realistic depiction.
Tertiary Color
The palette relies heavily on mixed intermediate hues such as dirty creams, umbers, and muted warm blends.
- Evening Melody
Oksana VeberCzech RepublicOil on Paper35 X 100cm | 13.78 X 39.37in£ 222 € 255 ＄300 Relevance
Score: 67%Matches: 2/2Tertiary Color
Ochres, olive-darks, brownish reds, and mixed warm intermediates strongly shape the palette.
Abstract Style
Loose marks, layered paint, and non-naturalistic structure are prominent, though recognizable figures remain visible.
- Sisters
Nina ReznichenkoCzech RepublicOil on Canvas70 X 118cm | 27.56 X 47.24in£ 4,443 € 5,092 ＄6,004 Relevance
Score: 67%Matches: 2/2Abstract Style
Blurred forms, vertical smears, and painterly haze dominate much of the image over clear literal depiction.
Tertiary Color
Many hues are mixed and intermediate—dusty pinks, blue-greys, and muted orange-browns rather than pure primaries.
- Characters
Gili CohenIsraelMixed Technique120 X 90cm | 47.24 X 35.43in£ 1,547 € 1,773 ＄2,090 Relevance
Score: 67%Matches: 2/2Abstract Style
Interlaced lines, color fields, and painterly fragmentation strongly compete with literal depiction.
Tertiary Color
The palette includes many mixed intermediate hues such as cyan, lime, peach, amber, and muted blue-violets.
- Love as Refuge
Tashfeen RizwanPakistanAcrylic on Art Paper50 X 70cm | 19.69 X 27.56in£ 4,440 € 5,088 ＄6,000 Relevance
Score: 66%Matches: 2/2Abstract Style
Large flat shapes, reduced anatomy, and compositional emphasis on form and color outweigh naturalistic depiction.
Tertiary Color
Olive green, ochre-orange, and other mixed intermediate hues are important to the palette's character.
- Caves dog spirit
Inna DavidovichIsraelWatercolor on Paper110 X 70cm | 43.31 X 27.56in£ 2,812 € 3,223 ＄3,800 Relevance
Score: 66%Matches: 2/2Tertiary Color
The palette relies heavily on mixed intermediate hues such as blue-grey, ochre-brown, and olive-like transitions.
Abstract Style
Loose washes, dissolved edges, and color-driven form play are prominent, though an animal remains recognizable.
- Sweltering Sun
db WatermanNetherlands TheMixed Technique120 X 120cm | 47.24 X 47.24in£ 3,834 € 4,393 ＄5,180 Relevance
Score: 66%Matches: 2/2Tertiary Color
Olive greens, rusty oranges, murky turquoise, and mixed in-between hues are strongly present.
Abstract Style
Large areas are driven by drips, splatter, color fields, and non-literal surface effects that compete strongly with depiction.
- Painting the world in gold
Raya CohenIsraelOil on Canvas70 X 100cm | 27.56 X 39.37in£ 4,884 € 5,597 ＄6,600 Relevance
Score: 66%Matches: 2/2Tertiary Color
The palette relies heavily on mixed intermediate hues like ochre, olive, tan, and greyed green.
Abstract Style
The background is dominated by non-literal vertical drips, texture, and painterly surface over realistic space.
- Fragment with fruits
Lehel KovacsHungaryAcrylic on Canvas40 X 60cm | 15.75 X 23.62in£ 5,215 € 5,976 ＄7,046 Relevance
Score: 66%Matches: 2/2Tertiary Color
Olive greens, ochres, brownish oranges, and mixed earth hues make intermediate blended colors structurally important.
Abstract Style
Large areas of the composition are driven by non-literal paint fields, scraped marks, and layered color blocks.
- In Space
Eduard BielskiyCzech RepublicOil on Canvas90 X 120cm | 35.43 X 47.24in£ 3,283 € 3,762 ＄4,436 Relevance
Score: 66%Matches: 2/2Tertiary Color
The palette relies heavily on mixed in-between hues such as ochre, greige, muddy blue-grey, and muted earth tones.
Abstract Style
Gestural marks, drips, and textured non-literal passages play a major role, though a face remains clearly visible.
- Silent Talk
Eduard BielskiyCzech RepublicOil on Canvas120 X 180cm | 47.24 X 70.87in£ 5,650 € 6,474 ＄7,634 Relevance
Score: 66%Matches: 2/2Tertiary Color
The palette includes many mixed intermediate hues—ochres, burgundy, clay, umber, and muted orange-reds—rather than clean primaries.
Abstract Style
Gestural marks, drips, and color fields strongly shape the image, though the face remains recognizable.
- The Beginning Always Blue
Andras GyorfiCzech RepublicOil on Canvas50 X 50cm | 19.69 X 19.69in£ 2,626 € 3,009 ＄3,548 Relevance
Score: 66%Matches: 2/2Tertiary Color
Olive greens, ochres, and mixed earth hues give the palette a strongly intermediate, blended character.
Abstract Style
Large flat blue circles and the red ribbon-like line introduce strong non-literal formal elements that compete with depiction.
- Buddha
Irena BudagovIsraelAcrylic on Canvas120 X 80cm | 47.24 X 31.5in£ 3,863 € 4,427 ＄5,220 Relevance
Score: 65%Matches: 2/2Tertiary Color
The palette relies heavily on mixed intermediate hues such as ochre, rust, umber, and muted orange-browns.
Abstract Style
Large areas are driven by texture, color fields, and non-literal mark-making, though a recognizable face remains central.
- The yellow bird
Orna Rachel WeinerIsraelAcrylic on Canvas70 X 100cm | 27.56 X 39.37in£ 2,576 € 2,952 ＄3,480 Relevance
Score: 65%Matches: 2/2Tertiary Color
The palette relies heavily on mixed intermediate hues such as teal, olive, mauve, dusty peach, and muted earth blends.
Abstract Style
Large areas are driven by color atmosphere, soft transitions, and non-literal shape relationships over strict depiction.
- Flowing sound
Sheleg ViktorLatviaOil on Canvas90 X 120cm | 35.43 X 47.24in£ 9,620 € 11,024 ＄13,000 Relevance
Score: 65%Matches: 2/2Tertiary Color
The palette relies heavily on mixed in-between hues such as teal, acid green, maroon, and murky violet.
Abstract Style
Large areas dissolve into gestural color, dark masses, and non-literal mark-making that compete strongly with depiction.
- Untitled – Expressive & Haunting Human...
Marcin ZiolkowskiCzech RepublicOil on Canvas100 X 130cm | 39.37 X 51.18in£ 4,094 € 4,692 ＄5,532 Relevance
Score: 65%Matches: 2/2Tertiary Color
Many hues are mixed intermediate tones such as blue-grey, mauve, olive, and muddy ochre.
Abstract Style
Large gestural fields, blurred forms, and painterly structure are prominent, though figures remain visible.
- Favorite hat
Sheleg ViktorLatviaMixed Technique50 X 70cm | 19.69 X 27.56in£ 3,256 € 3,732 ＄4,400 Relevance
Score: 64%Matches: 2/2Tertiary Color
The palette relies heavily on mixed intermediate hues such as olive-grey, dusty orange, muted teal, and complex pink-red blends.
Abstract Style
Large areas of the image are driven by color fields, gestural marks, and non-literal construction over realistic depiction.
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